| Title▲▼ | Film director▲▼ | Duration▲▼ | Year of Production▲▼ | Country of production▲▼ | Production company▲▼ | |
|---|---|---|---|---|---|---|
|
The Term | Aleksey Pivovarov, Pavel Kostomarov, Alexandr Rastorguev | 83′ | 2014 | RUSSIA / ESTONIA | Aviator Production, Marx Film |
|
Olya's Love | Kirill Sakharnov | 68′ | 2014 | Russia, Austria | SugarDocs film production, Ethnofund, Soleil film (Austria) |
|
The Pipeline | Vitaly Manskiy | 119′ | 2013 | Russia, Czech Republic, Italy | Vertov. Real cinema, Hypermarket Film, Saxonia Entertainment GmbH |
|
My friend Boris Nemtsov | Zosia Rodkevich | 90′ | 2015 | Russia, Estonia | - |
|
The Halves | 96 ′ | 2015 | Russia, France | SiberiaDoc, Bathysphere productions | |
|
Guests | 66′ | 2015 | Russia, France, Germany | The Kingdom | |
|
Colours of Math | Ekaterina Eremenko | 60 min′ | 2012 | Russia, Germany | EEFilms Ekaterina Eremenko Films |
|
Linar | Nastya Tarasova | 82′ | 2013 | Russia, Italy | Albatross Film Studio |
|
Men’s choice | Elena Demidova | 67′ | 2014 | Russia, Norway, Finland | Ethnogeographic Research Foundation; co-production Relation04Media, Norway, Illume Fims, Finland |
|
SOMEONE ELSE’S JOB | Denis Shabaev | 80′ | 2015 | Russia, Tadjikistan | Marina Razbezhkina Workshop Ltd. |
|
Letter | Sergey Loznitsa | 20′ | 2012 | Russia, The Netherlands | Atoms & Void B.V. |
|
No Place for Fools | 82 ′ | 2014 | Russia, United States, Bulgaria | Supernova, Cinefantom | |
|
Arctic Alchemy | Nastia Tarasova | 78′ | 2015 | Russia, USA | DOKer Project, Hammersmith Ventures |
|
Boris Nemtsov: Shot In The Shadow of Kremlin | Michail Fishman, Milana Minajewa, Ljubow Kamyrina and Stephan Kühnrich | 90’ / 52’ / 45′′ | 2016 | Saxonia Entertainment and Tvindie Filmproduktion with ZDF/ARTE | Saxonia Entertainment and Tvindie Filmproduktion with ZDF/ARTE |
|
The Condemned | Nick Read | 80′ | 2013 | UK, Russia | TV Company Oikumena, Red Zed Films |
